Another thing that I find hard about photos of trees and woods is the post-processing. I tried fiddling around with the green and yellow channels in Lightroom, and this is what I came up with. I'm not sure if it's over the top or not.
Monday, October 13, 2008
Cratloe Woods
Forests, for me, have always been one of those subjects that should provide better photographs than they actually do. I think it's the chaos and clutter: it's hard to find order amongst the random scattering of trees. Good photos have a purpose, a subject stands out and turns a photo from a mere collection of pixels (or silver halide, if you're into that sort of thing...) into a photo of something. I have always found subjects hard to pick out in forests. I went to Cratloe, a nearby wood, this morning with the hope of finding trees shrouded in fog. By the time I hauled my lazy ass up there, the fog was inevitably gone. Faced with the prospect of yet another disspointing trip to a wood, I decided to try something different: I stuck my oft-neglected 50mm f.1.8 onto the camera. I was suprised how well this worked. At f1.8, or f2, this lens turns a seemingly chaotic scene into one with a single, well-defined subject. These aren't my favourite photos ever, but I'm happy enough with how they turned out.
Another thing that I find hard about photos of trees and woods is the post-processing. I tried fiddling around with the green and yellow channels in Lightroom, and this is what I came up with. I'm not sure if it's over the top or not.






Another thing that I find hard about photos of trees and woods is the post-processing. I tried fiddling around with the green and yellow channels in Lightroom, and this is what I came up with. I'm not sure if it's over the top or not.